教育科学 ›› 2021, Vol. 37 ›› Issue (4): 48-53.

• 课程与教学研究 • 上一篇    下一篇

教学现场思维的核心要义及其培育*

杨晓奇   

  1. 安徽师范大学 教育科学学院,安徽 芜湖 241000
  • 收稿日期:2020-11-23 出版日期:2021-07-15 发布日期:2021-09-27
  • 作者简介:杨晓奇(1971- ),男,甘肃庆阳人,安徽师范大学教育科学学院教授,博士生导师,主要从事课程与教学论研究。
  • 基金资助:
    *国家社会科学基金“十三五”规划2019年度教育学一般课题“指数思维引领下的智慧学习空间构建与应用研究”(BCA190080)

The Main Idea of the Scene Thinking of Teaching and Its Cultivating

Yang Xiaoqi   

  1. College of Educational Science, Anhui Normal University, Wuhu Anhui 241000, China
  • Received:2020-11-23 Online:2021-07-15 Published:2021-09-27

摘要:

教学思维作为影响教学理论与实践的核心,是需要持续关注的研究议题。基于教学现场性审视既有研究发现,最为关键的缺憾是抽离了思维的现场性(或曰现场思维)。教学现场思维是教师依据教学情势的变化,灵活创新地处理与应对教学情势以达成教学目标的思维方式,具有敏锐性、鲜活性、具身性、生成性和情境性等特征。培育教学现场思维,需要充分利用感官整体感受教学现场,借以寻找现场思维的触点;深刻洞察教学现场并恰当运用教学调控,促成现场思维的积极活跃;积极运用具身认知于教学现场,推动思维与教学的紧密结合;增加教学情感的投入,赋予现场思维以“温度”与“热度”;充分利用教学机智以捕捉教学契机,实现教学现场思维的全面跃升。

关键词: 教学思维, 现场思维, 教学机智, 具身认知

Abstract:

Teachers’teaching thinking, as the core of influencing teaching theory and practice, is a research topic that needs continuous attention. Based on the existing researches about the teaching scene, the most critical shortcoming is the withdrawal of the scene thinking (or on-site thinking).The scene thinking is a way of thinking that teachers rely on changes in the trend of teaching events, flexibly and creatively handle and respond to situations of scene to achieve teaching goals. It has the characteristics of acuity, freshness, embodiedness, generativeness, and situationalness.To cultivate scene thinking, teachers need to make full use of their senses to feel the teaching scene as a whole, so as to find the contact point of scene thinking; to profound insight into the teaching scene and appropriate use of teaching control stop remote active thinking at the scene; actively use physical cognition to integrate into the teaching scene to promote the close integration of thinking and teaching activities; to increase emotional involvement in teaching to integrate “temperature” and “heat” of scene thinking; to make full use of teaching wit to capture teaching opportunities and realize a comprehensive leap of scene thinking.

Key words: teaching thinking, scene thinking, teaching wit, embodied cognition

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